domingo, 13 de julio de 2008

Articulo muy interesante...

Articulo en Ingles, Tomado de http://soundtaste.typepad.com/sound_taste
No tiene autor, pero al parecer la escritora se llama Carolina.
Si pueden leanlo, que esta muy interesante su punto de vista.

Here's another bonbon for accordion month, this time my favorite representative of new-school perico ripiao.

Perico ripiao, a fast version of merengue played with button accordion, tambora & metal güira, was a regional form from the Cibao region that was popularized nationally during the Trujillo era (see material in this excellent Paul Austerlitz book for the historical background. Dominican scholar Dagoberto Tejeda has also written some great stuff, which alas is not readily available here in los países).

Perico ripiao was displaced from the center of Dominican popular music in the 50s and 60s by so-called orchestral merengue (really big-band, analogous to mambo bands in NY) and later by the nimble, funk- and rock-influenced merengues of the likes of Johnny Ventura and Wilfrido Vargas.

But perico ripiao never really went away, and it's remained a viable genre. In the early 90s, I found a couple of amazing compilations of perico ripiao, which had been rebranded as merengue típico. There were older stars, like El Cieguito de Nagua, and younger players, like La India Canela (one of the few women accordionists around).

There's a thriving perico ripiao scene in NYC, which Sidney Hutchinson has documented and is writing about. And in that scene, El Prodigio, né Krency García, is an undisputed star.

I've been dying to see this guy live, but he only seems to play Monday nights in the middle of the Bronx or at 3 am in Bushwick.

The video below is shaky, but not the worst of the bunch on YouTube. The song below is "El Refrán (Rebeca)," which he performs often. Watch first the sax-accordion combo, then about a minute and a half into the song, Prodigio tears it up. Sound quality varies wildly, but enjoy anyway.



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